I’ve been aware of Paddy McAloon’s 2003 album I Trawl the Megahertz for a while. While I’d always meant to pick it up, I never got round to it. In a sense it’s just as well, as this year it was re-released, remastered, and repackaged as a Prefab Sprout album.
Suffering with health problems, Paddy McAloon spent his time at home, listening to radio phone-ins. This formed the basis of the material on the album. The stunning 22 minute long title track features a splicing together of fragments of these broadcasts to tell a story in spoken word.
Most of the rest of the album is instrumental, but I’m 49 returns to the radio broadcasts, this time sampling them directly.
As pointed out by Paddy McAloon in this reissue’s liner notes, it’s not the first time the musicality of found voices has been exploited by a musician. He namechecks Gavin Bryars’ Jesus’ Blood Never Failed Me Yet. Steve Reich’s Different Trains also springs to mind. Musically, the albums seems to take a clear cue from American minimalist composers.
The story of the making of the album — centred around Paddy McAloon’s ill health — also reminds me of how Brian Eno is said to have pursued ambient music. It is said that Brian Eno was in bed, unable to get up to adjust the volume of his radio, and ended up being inspired by the sparseness of the resulting sound.
I Trawl the Megahertz has a melancholic vibe. “I’m 49, divorced.” What makes ordinary people bare their souls to radio hosts? This seems to be the question asked by the album. But the album also provides an answer — to adversity. Faced with illness, like Brian Eno, Paddy McAloon created some wonderful music.
Now I only wonder why it took me until now to discover it properly.