BBC News discovers how the 100th edition of Now That’s What I Call Music was compiled. Amazingly, the whole process seems to involve just three people, and takes only a day.
Like many people, Now That’s What I Call Music was a key gateway into music for me when I was young. I bought two of them.
The first was Now 30, which was released in April 1995. I don’t really remember why I bought it. I probably liked a handful of the songs, and I figured out that this was cheaper than buying all the singles.
Interestingly, it contains at least two tracks that I didn’t fully appreciate until I was much older — Protection by Massive Attack and Glory Box by Portishead. That they are hammocked between Eternal and Oasis speaks to the eclectic nature — and variable quality — of a Now album.
I had Now 30 on cassette, so I never digitised it. As such, the tracklist is less familiar to me than the other Now I bought.
That was Now 32, which came out in time for Christmas 1995, when I got a CD player. There are some seriously strong tracks on that album — but perhaps that’s my rose-tinted glasses.