1215 AM. Not quarter past midnight, but a radio frequency familiar to generations (although perhaps not any of the younger ones). Today it has stopped broadcasting. As AM radio slowly disappears, a bit of British folklore goes with it. Read full article
1 commentArchive — BBC
Half a year on parental leave with a broken ankle
Becoming a parent is a huge privilege. But it’s no secret that it’s also hard work. You don’t plan to break your ankle during the first year of your child’s life. Read full article
1 commentAwooga! The metaverse was better 29 years ago
What’s most surprising about the metaverse is just how lacking in ambition it is. This is a half-hearted rehash of a 30-year-old idea. Read full article
1 commentThe woman whose teapots were destroyed on Changing Rooms — — The Waiting Room
The rumours were true — Changing Rooms is coming back, 20 years on from its heyday. I don’t really remember watching it very much, but I have been struck by how much people have been talking about it recently.
The TV show clearly struck a chord. And why not, when you can reminisce about stories like the prized £6,000 teapot collection that was destroyed by one of the programme’s ludicrous interior design ideas?
What I love about this story is the stiff upper lip displayed by the victim of this design disaster, which is really a paper-thin disguise for seething anger that brings out a gem of a quote like this:
“I still feel that she’s got what she deserved, which is really being dropped by everybody,” Clodagh says of Linda Barker [the interior designer]. “I still don’t feel very good about her. On the very rare occasion she’s on television now, when I do see her, she’s still very bouncy, and I just don’t think she earned the bounce,” she laughs.
So. Much. Shade.
Things Fall Apart —
This articulates something I’ve been pondering for a while. Is the current political climate the result of a gradual erosion of the unwritten rules of civil society?
It turns out that the Civil Society in Britain is built on very shaky foundations. In the past few months we have seen the illegal suspension of Parliament, an act that carried no consequences whatsoever; we have seen Civil Servants bullied out of their jobs by politicians who were then rewarded for their harassment by promotion and increased status; we have seen the government spend £100s of millions on trying to deny the consequences of its own policy on Brexit and, in doing so, do possibly irreparable damage to the global reputation of the UK.
The post also makes an interesting point about how the BBC covers the UK in a way that assumes it is a stable democracy, and turns a blind eye to developments that would see other countries being scrutinised heavily.
Leaders in the past were guided by a strong sense of right and wrong — doing what’s right in the name of stability. Those days are now gone.
The Thinnest Place — Justin Hopper & Sharron Kraus with the Belbury Poly
Chanctonbury Rings combines the folk music of Sharron Kraus and retro electronics of the Belbury Poly with spoken word from Justin Hopper. It’s a perhaps unlikely combination.
This is made all the more unlikely by the fact that, despite Justin Hopper’s American accent, the music is unmistakably English. It immediately reminded me of the Seasons (a cultish, unsettling 1969 BBC LP for use by schools’ drama departments, featuring music by the BBC Radiophonic Workshop).
I wasn’t quite sure what to expect from this. I picked it up because I’m a Ghost Box completist. But I found myself in a truly immersive listen. Hauntology at its finest.
BBC not so sound
Radio broadcasters are battling each other to be the Netflix of radio. None of them seem to have asked themselves why any of their listeners would want that. Read full article
CommentCould Brexit break the BBC? The tensions, the bewildering question of ‘balance’ — and how to get it right — Mark Damazer, Prospect Magazine
An impressively thoughtful piece from the former Radio 4 controller, on why the BBC is struggling to remain unbiased amid Brexit.
One senior presenter put it like this: “We should encourage debate… while being more militant about our core approach—that we are fact-based, and question and test all sides of the debate. We should not be doing vanilla ‘on the one hand’ versus ‘on the other hand’ journalism. I am sympathetic to the arguments about the danger of ‘false equivalence,’ and think we should be clear about the weight of arguments. But if a substantial number of people believe, so to speak, that bananas are blue we have to treat that seriously. Seriously, but robustly.”
This article also briefly covers some of the limitations of TV news bulletins, and explains why in some aspects radio performs better. I do find it difficult to watch a bulletin like the 10 O’Clock News (I think I even watched the piece he mentions from Mansfield, with my head in my hands). In that format, it is impossible to cover anything in real depth — and that seems to be the true problem at the moment.
Hard breakfast
The cards are up in the air in the competition to wake up the nation. Seemingly every major station has seen its breakfast line-up change in the past few months. Read full article
CommentNote — 2018-12-11
This week I found out I won’t make the cut of that Scottish independence referendum documentary I was filmed for a few months ago. Due to a change in editorial focus, apparently.
It’s actually a bit of a relief because, as you’ll see from the original post, I wasn’t entirely comfortable with how it panned out. I could actually do without any hassle resulting from being on TV.
When I texted Alex about it, her reply was: “Oh good!!!!” You know it’s serious when four exclamation marks come out.
When I asked why, she said, “I was worried about your political views being on the BBC.” (To be honest, I think we should worry about all sorts of other people’s political views that are allowed on the BBC these days, but there we go…)
Still, it was interesting to be part of the process, and good to know my blog could still get noticed in this sort of way.
F1 season ends and building of the broadcasting paywall begins
F1 season ends and building of the broadcasting paywall begins
Channel 4’s Formula 1 commentator Ben Edwards began his broadcast yesterday saying, “For many of us, it’s an end of an era.” He talked about it being Fernando Alonso’s final race, and Kimi Räikkönen’s swansong at Ferrari. Not directly mentioned, but telegraphed, was the fact that this was also the last F1 race to be shown on free-to-air TV in the UK, with the exception of next year’s British Grand Prix.
Channel 4 have done an exceptional job of covering the sport over the past three years. I share Richard Williams’s weary assessment of the Sky coverage we must pay through the nose for:
There are aspects that stretch the patience, like the rushed and inane encounters of the grid walk and the plethora of pensioned-off drivers saying nothing very much.
When Sky first shared the rights with the BBC in 2012, the big names went to Sky — but the good names stayed with the BBC. Channel 4 have continued in that vein, if anything improving on the BBC. Their diverse range of pundits are sharper, wittier, more perceptive, more insightful, with more recent race experience.
From now, British viewers are left worse off — and so is F1 itself.
Photo — 2018-11-23
I may not be at work today, but that’s not stopping me wearing an old band t-shirt for #TShirtDay. I’ve chosen a slightly worse-for-wear Boards of Canada t-shirt that hasn’t seen the light of day for a while.
Why make the BBC and Channel 4 fix the problem that ITV created?
Lots of expensive schemes have forced the BBC and Channel 4 to make TV less London-centric. But why has ITV been allowed to continue centralising? Read full article
CommentOn my podcast playlists right now
I have listened to podcasts on an almost daily basis for well over 10 years now. Here is a selection of my current podcast recommendations. Read full article
2 commentsBBC Radio 2’s impossible position is of its own doing
BBC Radio 2 will see its two most important programmes losing its presenters in quick succession. Regulations put it in an impossible position. Yet the BBC still brought this situation on itself. Read full article
1 commentThe Visitation — White Noise
White Noise was formed by David Vorhaus, Delia Derbyshire and Brian Hodgson. The latter two were pioneers of the BBC Radiophonic Workshop, the facilities of which were covertly used for a couple of the tracks on their album An Electric Storm.
(For the uninitiated, Delia Derbyshire is best known for the original realisation of the Doctor Who theme tune, among many other revolutionary electronic compositions. Brian Hodgson made many sound effects for Doctor Who, including the sound of the Tardis.)
An Electric Storm was released in 1969. It somehow sounds both mind-bogglingly ahead of its time, while also being distinctly of its time.
White Noise didn’t have a studio, so they had to develop their own makeshift equipment by connecting tape machines together with basic electronics. An Electric Storm was made before Robert Moog developed his modular synthesiser.
Synthesisers were about to democratise the creation of electronic music. But they also made it less of a craft. Painstaking effort and skill were required for the tape manipulation techniques that created the otherworldly sounds pioneered by the BBC Radiophonic Workshop and their peers. It became a lost art.
According to the liner notes on the 2007 CD reissue of An Electric Storm that I own, David Vorhaus was originally intent on releasing a single. The head of Island Records told him to make an album instead, giving him the £3,000 he said a hit single would be worth.
This track, The Visitation, took three months to complete alone. When Island Records enquired as to the whereabouts of the album they had paid for, White Noise were forced to complete it overnight by improvising drums over tape loops and other noises. Even that track sounds almost unbelievably ahead of its time.
But upon release, the album sold just 200 copies. The world wasn’t ready for electronic music. But An Electric Storm is the definition of a cult slow burner. And it was highly influential on the more commercially successful electronic musicians of the 1970s and onwards. Not that many of them pressed ahead with the tape manipulation techniques.
13 years too late, the BBC’s classical music back catalogue is being made available
Once in a while, when listening to music on shuffle, a Beethoven symphony plays. The MP3 files came from the BBC. It was an experiment never to be repeated. Read full article
CommentThe BBC Domesday Project
A fascinating long article on the BBC Domesday Project from 1986. This huge project celebrated the 900th anniversary of the Domesday book, with an ambitious modern-day take on documenting all of Britain.
The technology was so unique that became obsolete almost immediately. It required a special LaserDisc player connected to a BBC Master computer with a special controller. The price tag put it out of reach of almost everyone, even schools and libraries.
It’s a prime example of the challenges of digital preservation.
Moreover, copyright issues — as well as the sheer volume of content — have raised questions over whether some the content could ever be used again. It is certainly difficult to replicate the original experience (although a few YouTube videos give a flavour).
This article goes into some of the thinking behind the technology decisions, and makes a valiant case that the Domesday Project is not a failure, as some like to think of it.
Robert Peston: BBC not impartial during EU referendum campaign
Robert Peston: BBC not impartial during EU referendum campaign
I do think that they went through a period of just not being confident enough. Impartial journalism is not giving equal airtime to two people one of whom says the world is flat and the other one says the world is round. That is not balanced, impartial journalism.
It is often said (including by me) that if you are accusing the BBC of bias, it is probably because you are losing the argument.
But Robert Peston is not the first to make this point, that the BBC is giving equal platforms to viewpoints with very unequal merits.
It’s getting difficult to disagree that this is currently a major problem for the BBC. It is particularly acute on particular programmes, such as the Today programme, which is more interested in generating heat than light.
Wow and Flutter — Stereolab
I’ve recently been digging this old Stereolab song. By chance, this Peel session was recorded 25 years ago today.
Promo video
Note — 2018-09-27
These classic BBC Two idents designed by Lambie-Nairn have now been retired — but not for the first time.
They were first replaced in 2001 by the Personality idents, which (despite the name) were actually rather insipid by comparison. Then came the downright dull Window on the World idents.
Lambie-Nairn’s idents returned in 2014. But they were originally developed in 1991. At the time, they were credited with transforming wider perceptions of the channel. It had been seen as dull and worthy, but became arty and exciting.
27 years is a hell of a long time for these idents to last, especially considering the subsequent shift to widescreen, then HD broadcasting. They have pretty much stood the test of time.
Later idents in the set became more complex and less focused. But I am especially fond of the very original idents from 1991, which were particularly pure and striking. The use of the Gill Sans 2, coloured with viridian, and backed with ethereal music, is such a simple idea, yet it was employed with remarkable versatility.
After Chris Evans — Why women are leading the race for the breakfast slot
After Chris Evans — Why women are leading the race for the breakfast slot
In a sense, it’s no surprise to see women as front-runners to replace Chris Evans as BBC Radio 2 breakfast show presenter. It is a scandal that, until recently, no women had a regular slot during the day on Radio 2 since the 1990s.
Radio 2 always explained that the male presenters were hugely popular. And I can think of several people who would likely switch off the Radio 2 breakfast show if Sara Cox were to get the gig. But as Miranda Sawyer notes:
[Sara] Cox and [Zoë] Ball are considered the women most likely to break Radio 2’s all-male daytime club because many men still think of them as “one of the lads”.
I am a relatively reluctant listener to the Radio 2 breakfast show. I’m not averse to Sara Cox per se.
But regardless of who takes over, Alex and I have already decided we will listen instead to Lauren Laverne when she takes the helm of the BBC Radio 6 Music breakfast show in January. I have avoided its current host Shaun Keaveny because… I find it too blokey.
Why is Radio 4’s Today programme losing so many listeners?
Why is Radio 4’s Today programme losing so many listeners?
The Today programme has lost 800,000 listeners in the past year. That’s about a tenth of its audience, gone.
I listen to the Today programme, but I want to stop. It is unmistakably weak at the moment. Sometimes it’s for reasons you can’t quite put your finger on. It just sounds uncomfortable and clumsy at the moment. Many recent features have felt contrived and uninteresting, almost like dad dancing. Certain presenters need to be put out to pasture (and Sarah Montague wasn’t one of them).
Then of course there are the manufactured polarised debates. These have always been a staple of the Today programme, and even the publicity shot in this Radio Times piece depicts the presenters having a debate at the breakfast table, complete with finger-pointing, as if that’s a selling point. In today’s highly charged political atmosphere, it is frankly the last thing we need more of.
All this means that I have found myself switching off the radio in disgust quite a lot recently.
I haven’t yet switched off completely — but only because I can’t think of what an alternative morning listen might be. Any suggestions?
From catfishing to unregistered religious marriages: finding news stories hidden In Plain Sight
From catfishing to unregistered religious marriages: finding news stories hidden In Plain Sight
This looks like a great initiative being driven by some journalists in the BBC.
It was in a conversation following the Grenfell Tower disaster, instigated by our former Director of News, James Harding, which brought about the In Plain Sight project.
In Plain Sight set out to get to those stories and tell them in a way that resonates with younger and more diverse audiences.
To do that, we’re not creating a new programme, platform or launching another BBC brand. We’re simply making sure sure that younger, more diverse members of staff are given a platform to pitch stories and then are producing and reporting those stories themselves across existing BBC outlets.
We have been running manager-free sessions, where we invite along staff from across the BBC to come and pitch ideas.
5 lessons from beyond the polar bear
5 lessons from beyond the polar bear
A really interesting set of information architecture insights from someone who grappled with tricky information architecture issues at the BBC.
No voter caught on camera
This week I have had the slightly odd experience of being filmed in my living room for a documentary about the Scottish independence referendum. Read full article
2 commentsRevealed: How Britain’s biggest local TV company has “gamed” the BBC for licence fee payers’ money
Revealed: How Britain’s biggest local TV company has “gamed” the BBC for licence fee payers’ money
Jeremy Hunt’s scheme to create a network of low-budget local TV stations was absurd from the get-go. Seven years on, it is clear that the scheme is a complete flop, with many of the stations unable to make ends meet.
In Scotland, STV2 — which was made up of five local licenses — is being closed down. The licenses appear to have been sold to the largest local TV company, That’s TV.
This BuzzFeed article outlines exactly how delightful this operation appears to be.
In summary, this is a company that seems to have been set up with the intention of exploiting the local TV model to extract license fee payers’ cash from the BBC in exchange for unusable local news reports made by inexperienced and poorly-paid reporters.
Can we stop saying Formula 1 is boring?
The Monaco Grand Prix wasn't as dull as most people are saying. Certain media outlets are simply failing to tell the story. Read full article
6 commentsWhat happened with the missing episode of Blue Jam?
The Chris Morris sketch that was faded out by an engineer before it ended went down into legend. But why did it happen? None of the explanations stack up to me. Read full article
Comment‘You can’t see the join!’ — Recovering Morecambe and Wise
‘You can’t see the join!’ — Recovering Morecambe and Wise
A late Christmas present from the BBC Research & Development blog. Three fascinating articles about an attempt to recover a long-lost 1968 Morecambe and Wise episode from a rotting roll of film discovered in the vaults of a Nigerian broadcaster.
It involves some pretty advanced tech development work – a ‘diseased’ film, a trip to Nigeria, dentistry, lasers, X-ray tomography, algorithms and some goo…
Secrets from the BBC newsroom
A delicious article by Robin Lustig. It recounts the time BBC Radio 4 newsreader Neil Sleat met “the ultimate challenge to his professional skills” with relish. His task? To pronounce the name Janice Keihanaikukauakahihuliheekahaunaele.
Steve Hewlett
I was sad to hear this afternoon about the death of Steve Hewlett. His regular interviews with Eddie Mair about his cancer journey made for incredible radio. Read full article
CommentPassionate late night radio for the freaks
Excellent radio with a passion for the unusual: Steve Davis and Stewart Lee discussing their love of experimental music on the BBC, and the triumphant return of Iain Lee to late nights. Read full article
2 commentsBBC F1 coverage loss marks the end of a golden era. What can we expect from Channel 4?
After weeks of rumours, it was today announced that the BBC will be exiting its F1 contract three years early. The move is a blow to fans of the sport, who have benefited from a golden era of coverage. But if anyone can breathe new life into F1 it is Channel 4. Read full article
2 commentsRediscovering the radio work of Chris Morris
20 years on, the work of Chris Morris still feels far more relevant and valuable than any satire of today. Read full article
2 commentsThe year of the podcast
Just when it seemed as though podcasts would never break into the mainstream, 2014 seems to be the year they made it. Here are some of the podcasts that are currently floating my boat. Read full article
4 commentsA dark vision of democracy
There is mounting evidence that the yes movement is deeply anti-democratic. Read full article
4 commentsListening to Formula 1 can be as exciting as watching it
BBC Radio 5 Live's Formula 1 coverage may lack the pictures, but it still keeps you on the edge of your seat. Read full article
4 commentsThe decline of snooker
I used to be riveted to snooker, as did 18.5 million viewers in 1985. Today I am indifferent and TV ratings are much reduced. What is behind snooker's slump? Read full article
7 comments20 years of BBC Radio 5 Live
The BBC's rolling news and sport station is now 20 years old. It has provided a lot of great memories. But it needs to sharpen up to safeguard its future. Read full article
CommentCan web design really learn from brutalist architecture?
As a web designer with an interest in brutalist architecture, I was fascinated to read an article about what web designers can learn from brutalism. But perhaps instead of taking inspiration, perhaps the lessons are in what web designers should avoid. Read full article
2 commentsAre the days of the underlined hyperlink over?
The world's biggest website has made a major usability decision. As part of a series of tweaks, the hyperlinks on Google's search engine result pages are no longer underlined. So is it time for us all to ditch the underline? Read full article
CommentWhat UK radio can learn from North America
This American Life will at long last be broadcast in the UK later this year. I hope this is a sign of things to come, as British radio could learn a lot from North America. Read full article
1 commentBBC F1 – the verdict
Jake Humphrey's departure from the BBC means that their coverage has inevitably taken a step back in quality. But there are still some areas where the BBC is excelling in comparison to Sky. Read full article
29 commentsThe importance of late night radio
Radio is an intensely intimate medium. So Tony Livesey's departure from late night radio leaves me worrying about who will send me to sleep from now on. Read full article
3 commentsSky Sports F1 – the verdict
Last year I made do without Sky's Formula 1 coverage. But this year I decided to treat myself and shell out. So is it worth paying for? Read full article
8 commentsMusic 2012: Some of my highlights
Some musical highlights of 2012 that I did not include in my top ten. Read full article
CommentWas Joyce Hatto always a con artist?
Joyce Hatto was a revered pianist until her recordings were revealed to be fakes after her death. But was the truth about her recordings staring everyone in the face all along? Read full article
3 comments