Archive — Folk music

The Thinnest PlaceJustin Hopper & Sharron Kraus with the Belbury Poly

Chanctonbury Rings cover

Chanctonbury Rings combines the folk music of Sharron Kraus and retro electronics of the Belbury Poly with spoken word from Justin Hopper. It’s a perhaps unlikely combination.

This is made all the more unlikely by the fact that, despite Justin Hopper’s American accent, the music is unmistakably English. It immediately reminded me of the Seasons (a cultish, unsettling 1969 BBC LP for use by schools’ drama departments, featuring music by the BBC Radiophonic Workshop).

I wasn’t quite sure what to expect from this. I picked it up because I’m a Ghost Box completist. But I found myself in a truly immersive listen. Hauntology at its finest.

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Note — 2019-08-02

My Omnichord normally gathers dust in the corner of a room. So when someone retweeted into my timeline Karine Polwart asking if anyone in Edinburgh had an Omnichord she could borrow for some filming, I was happy to help, and to see the Omnichord out of its case for a change!

It makes its little appearance in this video for her cover of Chance by the Big Country.

This is part of her new album of Scottish covers, Scottish Songbook. It’s out today on lovely red vinyl.

My name on the back sleeve of Scottish Songbook

I had always wondered what it would take to get a ‘thank you’ on the back of an album. Now I know. 🙂

Hopefully one day I’ll get round to playing the Omnichord more often myself…

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Sybil´s DreamBeautify Junkyards

The Invisible World of Beautify Junkyards cover

A recent slice of hauntology from the collectable Ghost Box Records. I have to admit this album, The Invisible World of Beautify Junkyards, has taken a while to grow on me. But my, has it grown.

As much as I love it, some Ghost Box material can get a bit samey. Perhaps it’s inevitable (or intentional?) given that it showcases a type of dark nostalgia; mal-remembered pasts. (Or, in the label’s own words, “the misremembered musical history of a parallel world.”)

Beautify Junkyards breathes new life into the ghostly universe of hauntology. They are Portuguese, but seemingly take cues from British acid folk music. Unashamedly inspired by an imagined past, but adding adding new dimensions to create something uncannily new. And with a songwriterly quality that isn’t always at the forefront of a Ghost Box project.

It almost takes us full circle to the early material of Broadcast, in many ways the genesis of Ghost Box.

If Sybil´s Dream didn’t do it for you, try Ghost Dance.

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