Narrator: These toilets are not regularly inspected.
Archive — July 2019
✔️ Love stationery
✔️ Love workshops
This is a great guide to workshop essentials. I’m impressed that this kit contains a wider variety of materials, and yet seems so much smaller than the workshop bag we use at work. Maybe we rely too much on mountains of sticky notes!
I’d be tempted to add planning poker cards to this list. Planning poker is usually thought of as a technique for estimating work in agile projects. But it can also be used as a prioritisation technique in workshops.
In all seriousness, I’m impressed at the effort Mercedes have put in to celebrating 125 years in motorsport and their 200th F1 race.
While having all the team personnel (including mechanics!) dressed up in 1950s-style outfits looks fun, it surely must be distracting. Watching the mechanics working on the cars in the garage with their baggy overalls dangling all over the place, I had to think some of these mechanics must find it all annoying.
Lewis Hamilton certainly seemed to find his special gloves annoying during free practice 3 yesterday when he tetchily requested his normal gloves as the session was about to start.
As for the livery, Toto Wolff said:
“I can tell you it’s definitely not making the car lighter… In all the briefing sheets prior to this weekend the engineers pointed out ‘too heavy stickers’…”
I’m sure it’s a small thing, but I’ve always wondered if thick stickers have an effect on aerodynamics. If you look at the photos on the RaceFans article, you can actually see how thick some of the decals are.
I’m sure they wouldn’t do it if it was a problem. But surely thick stickers would be more of a factor than matt paint?
I’ve been thinking and reading a lot about co-design recently (as well as doing some of it too). This website, Beyond Sticky Notes, has provided me with even more food for thought.
I am particularly struck by the table describing various approaches from transactional to transformational. In this model, “Anything ‘centred’ — human, user, patient etc.” is little better than “Designer as expert”. Meanwhile, what I thought of as co-design may actually be more like participatory design. There’s so much more to do.
But one line of warning is familiar to any good user experience practitioner, and is worth repeating until the cows come home.
Co-design builds long term commitment. By contrast, consultation often gives the illusion we’ve bought people on board — only to have them then fall overboard. With consultation, we pay later — often in costly, public and damaging ways.”
Make sure you also see Mindsets for co-design, another enlightening article on how to do co-design better.
This website is in support of a book due to be published in 2020. I am now looking forward to it.
Thanks to Alison Wright who retweeted the latter article and brought it to my attention.
Apple contractors regularly hear confidential medical information, drug deals, and recordings of couples having sex, as part of their job providing quality control, or “grading”, the company’s Siri voice assistant, the Guardian has learned.
Looks like Apple’s big claims on privacy are — like most things from Apple — a superficial marketing line.
Their single Atlas may have got the most attention, but for me it was Rainbow that was the centrepiece of Battles’ extraordinary 2007 album Mirrored. It mixed cartoonish melodies with prog rock hardness.
I first came across Battles on the release of EP C/B EP, a compilation of their early EPs. Hearing SZ2 for the first time was hugely exciting. It felt like exactly the music I was looking for all along, without ever knowing it.
So even though Mirrored was their first album, it already represented a surprising change in direction. The chin-stroking post-rock had been superseded by Pinky and Perky vocals.
It was confusing. But listening to it for a second time, it felt as vital as their early material. In time, more so.
Their live performances were genuinely mind-boggling. They did things with live loops and sampling in ways that no-one else dared.
At the height of their powers, Battles made music in a way no-one else was making it. Watching them live was like watching four people walking a tightrope simultaneously. It could go wrong at any moment, and watching them push themselves and cope with it or recover from going wrong was a marvel.
When you see a band you really like, the reason you really like them is because you wish you’d had that idea. And I saw them and thought, “dammit, why didn’t I think of that?”
Have a spare ten minutes? Treat yourself to the slowed down version someone’s uploaded to YouTube.
Why the new Liberal Democrat leader Jo Swinson may be more pivotal to the future of the Conservatives than Boris Johnson is.
[W]hile the Liberal Democrat revival is taking Labour’s votes, it is costing the Conservatives more seats. Of the 82 seats that the Lib Dems hope to make their major targets, just three — Sheffield Hallam, Leeds North West and Streatham — were won by Labour in 2017.
On Jo Swinson, for what it’s worth, I’m very pleased that she is the new Liberal Democrat leader. I voted for her this time, and actually I really hoped she would become leader when Vince Cable did (although I recognise it wasn’t the right time for her).
Photo — 2019-07-19
I do enjoy the Ikea-style assembly instructions included when you buy a fancy Radiohead / Thom Yorke record.
As part of our programme of user research in support of the Learn Foundations project, we have carried out a top tasks survey to understand what students need when accessing course materials online.
What we found was that students value three items much more than everything else. Those items are all to do with lectures.
See the full post to find out more.
Note — 2019-07-15
I just watched the British Grand Prix. 😱 Sebastian Vettel needs to retire as soon as possible, before he does any further damage to his reputation. So sad to see a once great driver reduced to this.
As part of the Learn Foundations project, we have carried out a programme of quantitative research to ensure a user-centred approach to solution development.
The Learn Foundations project team wanted to develop a new template using a user-centred approach. This template would be designed to introduce more consistency between different courses in Learn. But it also had to support a diverse variety of needs across different courses, supporting different schools, colleges and teaching needs. It also had to be developed quickly.
We took inspiration from a classic user experience diagram to ensure this new template could be built on firm foundations.
This post introduces the steps we took. Forthcoming posts will describe each step in more detail and some of our key findings.
It’s good to see this issue getting some more attention, from none other than Dieter Rencken. I’ve been saying this for years.
If the aim of the Junior programme is to develop F1 drivers such situations point to something seriously amiss with the selection process. In 20 years and over 350 grands prix, just three alumni – Sebastian Vettel, Daniel Ricciardo and Verstappen – won grands prix. Of these only Ricciardo can be considered a fully ‘homegrown’ product of Red Bull’s system, the other two having been schooled elsewhere.
Dan Ticktum’s meltdown was seemingly brought about by the high-pressure environment of Red Bull’s driver programme. But this just the latest in a very long line of failures.
It’s easy to say this from the outside, but if I was a driver with some talent I would steer well clear of the Red Bull programme. The list of unnecessarily ruined careers is far, far longer than the successes.
How design can be used instead of traditional change management methods.
In the same way that design-led change isn’t just about hiring designers, it also shouldn’t be thought of as a specialist or localised resource (like a design team). Creativity and thinking about design as a state of mind is more a competence that should be part of the fabric of every 21st-century organisation.
My thinking on this has changed a lot over the years. In the past I might have thought that having a strong design team was the way forward. But that’s just creating another silo.
Now I see the real job as finding ways to empower the entire organisation to think like a designer, and help them make the right decisions for the right reasons.
Erik Satie’s Vexations is shrouded in mystery. It was not published during Satie’s lifetime. It’s thought it was composed in 1893. But it went undiscovered until 1963, when John Cage first performed it publicly.
It is just three lines long, but is accompanied by this ambiguous instruction (translated from French):
In order to play the theme 840 times in succession, it would be advisable to prepare oneself beforehand, and in the deepest silence, by serious immobilities
While this is usually interpreted as an instruction to repeat the music 840 times to complete a performance, it’s not clear if this was actually Satie’s intention.
The tempo instruction is “Très lent” — very slow. In the words of Wikipedia, this “could mean anything”.
Cage’s first performance lasted over 18 hours — longer than he had estimated. The CD recording I own lasts only 23 minutes — a tiny fraction of the full experience. The liner notes to that CD flags up the following:
A 70 minute performance (40 repetitions) of Vexations by Alan Marks is available on the CD Vexations (LTMCD 2389)…
Despite the repetitive nature of the music, it never seems to get boring. There is something disturbing yet irresistible about it. I always imagine falling very slowly towards an uncertain destination. It feels like being trapped in an Escher painting.
This piece predates muzak and ambient music by at least 50 years. The CD liner notes say it “provided minimalism with an important historical precedent.” It even predates Dada.
This YouTube video contains a full performance, albeit one performed seemingly too fast.
You don’t hear this on adverts quite as often as Gymnopédie 1…
Photo — 2019-07-04
Graffiti aubergines. More expensive than aubergines. Taste exactly like aubergines. 5/5 would hipster again. 🍆
Summarising the key findings from a set of user interviews I conducted with students on their needs around accessing course materials digitally. Just one of the strands of the Learn Foundations project, which I still have much more to write about.
After analysing and synthesising the insights gathered through the interviews, we built up a picture of how and why students’ experience with Learn varies throughout the year as students attempt to complete different tasks. This is presented as a semester in the life of students using Learn.