Archive — Nostalgia
Ten years ago today, the first VHS Head EP was released. I remember it seemed to come as a bit of a bolt from the blue. For a while it was my favourite new electronic music.
Video Club is a delightful slice of retro electronic music. Subsequent releases, though relatively scant, have explored a parallel universe consisting entirely of video nasties. VHS Head’s music is constructed from samples taken from VHS cassettes.
As is customary for releases on Skam Records, it includes a braille strip. But a novel addition was the golden Video Club membership card.
Be kind and rewind.
In all seriousness, I’m impressed at the effort Mercedes have put in to celebrating 125 years in motorsport and their 200th F1 race.
While having all the team personnel (including mechanics!) dressed up in 1950s-style outfits looks fun, it surely must be distracting. Watching the mechanics working on the cars in the garage with their baggy overalls dangling all over the place, I had to think some of these mechanics must find it all annoying.
Lewis Hamilton certainly seemed to find his special gloves annoying during free practice 3 yesterday when he tetchily requested his normal gloves as the session was about to start.
As for the livery, Toto Wolff said:
“I can tell you it’s definitely not making the car lighter… In all the briefing sheets prior to this weekend the engineers pointed out ‘too heavy stickers’…”
I’m sure it’s a small thing, but I’ve always wondered if thick stickers have an effect on aerodynamics. If you look at the photos on the RaceFans article, you can actually see how thick some of the decals are.
I’m sure they wouldn’t do it if it was a problem. But surely thick stickers would be more of a factor than matt paint?
Today the world marks the 30th birthday of the web. I could have said ‘celebrates’ instead of ‘marks’. But despite — or perhaps because of — the fact that it’s the most revolutionary advance in communications of our lifetime, the mood seems reflective rather than celebratory. Read full articleComment
Boards of Canada ‘Music Has the Right to Children’ turns 20
More on the 20th anniversary of Music Has the Right to Children.
The music imprints ideas in your head, subliminally or through uncanny association: opener “Wildlife Analysis” sounds like an old TV ident left to wander into the woods, the treated, wobbly synth harmonies of “Olson” could’ve come from a half-remembered Stevie Wonder or Gary Wright song heard as background music during some family car ride, and “Turquoise Hexagon Sun” sinks its minimalist, graceful melody in so deep through repetition that the realization you can hear indistinct voices in the background is almost startling. There’s something deeper in the music than just music…