Archive — Nostalgia

The woman whose teapots were destroyed on Changing RoomsAmelia TaitThe Waiting Room

Illustration of Clodagh, victim of a Changing Rooms disaster

The rumours were true — Changing Rooms is coming back, 20 years on from its heyday. I don’t really remember watching it very much, but I have been struck by how much people have been talking about it recently.

The TV show clearly struck a chord. And why not, when you can reminisce about stories like the prized £6,000 teapot collection that was destroyed by one of the programme’s ludicrous interior design ideas?

What I love about this story is the stiff upper lip displayed by the victim of this design disaster, which is really a paper-thin disguise for seething anger that brings out a gem of a quote like this:

“I still feel that she’s got what she deserved, which is really being dropped by everybody,” Clodagh says of Linda Barker [the interior designer]. “I still don’t feel very good about her. On the very rare occasion she’s on television now, when I do see her, she’s still very bouncy, and I just don’t think she earned the bounce,” she laughs.

So. Much. Shade.

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Rent ResponsiblyVHS Head

VHS Head logo

Ten years ago today, the first VHS Head EP was released. I remember it seemed to come as a bit of a bolt from the blue. For a while it was my favourite new electronic music.

Video Club is a delightful slice of retro electronic music. Subsequent releases, though relatively scant, have explored a parallel universe consisting entirely of video nasties. VHS Head’s music is constructed from samples taken from VHS cassettes.

Video Club packaging

As is customary for releases on Skam Records, it includes a braille strip. But a novel addition was the golden Video Club membership card.

Be kind and rewind.

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The paint-scraping myth: Why the story behind Mercedes’ special livery isn’t trueKeith Collantine and Dieter RenckenRaceFans

Mercedes' special livery - halo detail

Spoilsports! 😉

In all seriousness, I’m impressed at the effort Mercedes have put in to celebrating 125 years in motorsport and their 200th F1 race.

While having all the team personnel (including mechanics!) dressed up in 1950s-style outfits looks fun, it surely must be distracting. Watching the mechanics working on the cars in the garage with their baggy overalls dangling all over the place, I had to think some of these mechanics must find it all annoying.

Lewis Hamilton certainly seemed to find his special gloves annoying during free practice 3 yesterday when he tetchily requested his normal gloves as the session was about to start.

As for the livery, Toto Wolff said:

“I can tell you it’s definitely not making the car lighter… In all the briefing sheets prior to this weekend the engineers pointed out ‘too heavy stickers’…”

I’m sure it’s a small thing, but I’ve always wondered if thick stickers have an effect on aerodynamics. If you look at the photos on the RaceFans article, you can actually see how thick some of the decals are.

I’m sure they wouldn’t do it if it was a problem. But surely thick stickers would be more of a factor than matt paint?

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Boards of Canada ‘Music Has the Right to Children’ turns 20

Boards of Canada ‘Music Has the Right to Children’ turns 20

More on the 20th anniversary of Music Has the Right to Children.

The music imprints ideas in your head, subliminally or through uncanny association: opener “Wildlife Analysis” sounds like an old TV ident left to wander into the woods, the treated, wobbly synth harmonies of “Olson” could’ve come from a half-remembered Stevie Wonder or Gary Wright song heard as background music during some family car ride, and “Turquoise Hexagon Sun” sinks its minimalist, graceful melody in so deep through repetition that the realization you can hear indistinct voices in the background is almost startling. There’s something deeper in the music than just music…

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