Author of Practical Empathy Indi Young on going deeper than insightsCarrie Neilldscout

Indi Young illustration

It’s always great to see advice from Indi Young. Here are tips on how to better identify and synthesise patterns in qualitative data.

…when you’re looking at data, don’t group things together by noun. Group them together by verb. I’ve done a lot of work with the healthcare industry, and one thing I often see research teams do is bring together insights that are all about a noun — here is all of the data that we got about how people feel about the doctors. But when you do that the intent behind what people are really saying ends up all over the place.

Continuum by Bridget Riley

Continuum — Bridget Riley — on exhibition at the Scottish National Gallery.

It’s Bridget Riley’s only ever 3D work. Entering inside it, I perhaps understood why. It wasn’t quite tall enough to fully immerse me.

I highly recommend you visit this if you can. It is a very comprehensive exhibition of her career, spanning more than 70 years, including paintings from this year.

Bridget Riley study

The room containing her black-and-white works of the 1960s are of course a highlight. I am constantly in awe of how these static paintings can appear to be moving at great speed.

Bridget Riley studies

But I was also fascinated by the room containing her studies, where you can see her working out how to create these incredible mind-bending paintings.

Can everyone be excellent?Alfie Kohn

A very good piece about why fears around grade inflation and the like are spurious. Even if everyone meets high standards, people continue to call for the standards to be made higher still. Moreover, people exhibit a damaging compulsion to rank.

But boy, do we love to rank. Worse, we create artificial scarcity such as awards — distinctions manufactured out of thin air specifically so that some cannot get them. Every contest involves the invention of a desired status where none existed before and none needs to exist. This creates an adversarial mentality that makes productive collaboration less likely, encourages gaming the system, and leads all concerned to focus not on meaningful improvement but on trying to outdo (and perhaps undermine) everyone else.

The birth of InterCarmel DeAmicisFigma

Inter typeface detail

I’ve been using the Inter typeface on this blog (and other things) for 1½ years now.* I love it.

Rasmus [Andersson, the designer of Inter] did some research and experimentation and eventually realized there was no free, high-quality text typefaces for computer UIs. That felt backwards to him given how type heavy many UIs are. So he set to work creating one and released the first set of glyphs in August 2017. He’s been iterating on it continuously ever since.

What I really admire about Inter is the way it looks brilliant at both small sizes and large sizes. There really are not many typefaces you can say that about.

It also feels like it has genuinely been designed for our time, while seeming familiar like Helvetica or Univers. While those classics fall down somewhat as digital typefaces (no surprise given how old they are), Inter manages to improve on other digital-first typefaces like Roboto.

Incredibly, while Roboto has the might of Google behind it, Inter is one person’s side project. I have a lot of admiration for this project.

Now, if only it was available on Google Fonts

* Yes, that was just an excuse to use the ½ glyph.

Is there a way to force all mobile apps to open web URLs in my actual browser of choice, instead of the crappy WebView they make you use? This is one thing I am truly fed up with now.

Card sorting has informed a new information architecture for Learn coursesWebsite and Communications Blog

Results of the card sorting study

How we used card sorting to help us devise a consistent information architecture for Learn VLE courses at the University of Edinburgh.

775 students participated in the study — and no two students submitted the same card sort. This highlights the great challenge faced by the Learn Foundations project in attempting to create a more standardised template that meets the wide variety of needs across the University.

My Omnichord normally gathers dust in the corner of a room. So when someone retweeted into my timeline Karine Polwart asking if anyone in Edinburgh had an Omnichord she could borrow for some filming, I was happy to help, and to see the Omnichord out of its case for a change!

It makes its little appearance in this video for her cover of Chance by the Big Country.

This is part of her new album of Scottish covers, Scottish Songbook. It’s out today on lovely red vinyl.

My name on the back sleeve of Scottish Songbook

I had always wondered what it would take to get a ‘thank you’ on the back of an album. Now I know. 🙂

Hopefully one day I’ll get round to playing the Omnichord more often myself…